We are pleased to announce a new exhibit now on display in L. Tom Perry Special Collections. It is titled “The Book of Mormon in Church History,” and it showcases early significant editions of the Book of Mormon, including an 1830 First Edition, and 1837, 1840, and 1920 editions, with explanations of uinique changes or corrections made. Also shown are various documents related to the history of the Book of Mormon, including a handwritten copy of the 1829 revelation to Martin Harris regarding the calling of Three Witnesses (now D&C); a journal kept by Hyrum Smith where he records selling copies of the Book of Mormon in Kirtland in the 1830s; and documents from the James E. Talmage papers related to his work on the 1920 Book of Mormon Committee.
This exhibit will be on display in the Reading Room in Special Collections until the end of April 2019. Come see this new exhibit and learn more about the early history of the Book of Mormon!
April is National Poetry Month, and to celebrate, we’ve created a gallery of some rather gorgeous poetry books. The bookbindings shown here were all designed in the art nouveau style, and published between 1880 and 1910. Art nouveau features long, flowing lines, inspired by organic forms. It was popular in decorative arts of the late Victorian and Edwardian periods in both Europe and America.
One of the most popular items from the Japanese Rare Books Collections, Bakemono no e (化物之繪), also known as the Ghost Scroll, has been digitized along with a number of other rare maps, scrolls, and illustrated books from the collection in order to facilitate research for scholars worldwide. The Ghost Scroll was hand-painted in the late 17th or early 18th century, and it depicts 35 supernatural creatures from Japanese folklore (you may know the kappa, shown here, from the world of Harry Potter). The scroll has been studied both in the U.S. and Japan. BYU students recently created a Wikipedia entry for the Ghost Scroll — check it out to view and learn about each creepy creature!
L. Tom Perry Special Collections is pleased to announce the availability of a new digitized collection: Hester Telle Richards diary (MSS SC 2008). The diary was started in 1886 when Hester was eighteen and apparently living in Monroe, Utah. She kept the diary in August and September of that year. Also included are miscellaneous notes and observations including class notes from a geography course in 1901.
Hester Telle Cannon was born on February 16, 1872, in Salt Lake City, Utah, to George Quayle Cannon and Martha Telle. She had a twin sister, Amelia. She was the second wife of Daniel Brigham Hill Richards, whom she married on September 3, 1902. They had one son together. Hester Telle Richards died on October 26, 1936, in Salt Lake City, Utah.
Victoria’s coronation on June 28, 1838 was a grand occasion. Spectators from all over the country flocked to London to see the huge coronation procession as the young queen was carried in a gilded coach from Buckingham Palace to Westminster Abbey. The ceremony itself was a five-hour affair marked by several mishaps: the Archbishop of Canterbury jammed the coronation ring made for Victoria’s pinky on the wrong finger, and the elderly Lord Rolle fell down the steps as he tried to pay homage to the new monarch. Lord Rolle was unhurt, but Victoria noted in her diary, “I had the greatest difficulty in taking [the ring] off again, which I at last succeeded in doing, but not without great pain.” After the ceremony, festivities continued with a state dinner and fireworks.
Special Collections preserves a number of items and memorabilia from Victoria’s coronation, including this original ticket to the ceremony and commemorative souvenirs like the one below, which shows the coronation ring, crown, and other regalia used in the ceremony. The top image is from an 18-foot lithographed panorama of the coronation procession published by W. Soffe. The coach is still used for state occasions by the British royal family!
L. Tom Perry Special Collections is pleased to announce the availability of a new digitized collection: Isaac Brockbank, Jr. papers (MSS 8837). This collection contains Isaac Brockbank Jr.’s personal diaries between 1900-1925, an autobiography which he began to write during the time he spent in a Utah prison for Unlawful Cohabitation, and a typed forward of Brockbank’s diaries which includes a personal history of Brockbank’s life alongside summaries of each of his diary entries found in the included diaries. Materials dated between 1884-2016.
Isaac Brockbank Jr. was born on July 13, 1837 in Liverpool, England to Isaac Brockbank and Elizabeth Mainwaring. His parents joined the Church of Jesus Christ of Latter-day Saints in 1851, emigrating to New Orleans on the Ellen Maria in Feburary 1852. In the course of the family’s journey to the Salt Lake Valley, Isaac’s mother disappeared and was never heard from again. Within a month of their arrival, his father married a Sarah Brown. The family eventually settled in Spanish Fork, Utah, where Isaac, Jr. opened his own dry goods/grocery store, with a partnership contracted to carry U.S. mail south of Salt Lake. On June 25, 1860, he married Katherine Howard and they had seven children together, all of whom survived to adulthood.
In January 1865, being asked to support another family, he married Mary Ann Park; she bore twelve children, losing two in infancy.
In 1867, Isaac helped to build a section of the Transcontinental Railroad. He served in the bishopric of the Eighth Ward from 1871-1891, and was also called in 1871 as a clerk in the Tithing Office. In 1878, he served on the Salt Lake City Council. Isaac was charged in September 1886 with unlawful cohabitation, fined $300, and sentenced to six months in the Utah State Prison. After his release, he worked by contract on what would become the Saltair Railroad, did excavations for various Salt Lake City buildings, and served as Salt Lake County Bailiff and Deputy Sheriff. He died in Holladay, Utah, on March 4, 1927 at the age of 89.
World-renowned ragtime pianist Johnny Maddox died at the age of 91 on November 27, 2018.
In 1970, Mr. Maddox deposited much of his vintage performing arts collection to BYU. Centering on ephemera from the first half of the 20th century, this included collections on American theatre, motion pictures, circus life, vaudeville and magic.
All of the following images are scans from collections that came to BYU through Mr. Maddox. From his records we found that he collected others’ collections as well, and have named those after the original collectors.
This first item is an advertisement for violin prodigy Kathleen Parlow on a London tour in 1905. -Johnny Maddox collection MSS 23.
This is a cue sheet for cinema in the silent era. It suggests what type of accompaniment would be most appropriate for each scene. This is for the 1918 Paramount film Resurrection starring Pauline Frederick. -Johnny Maddox collection MSS 23.
These two images come from a circus program for the 1935-season tour of the Seils-Stirling Circus. -Verne L. Slout papers MSS 1860.
These pages are from a publication called The Bat, a regular publication for magician’s to learn new tricks and hone their craft. -Ben R. Badley papers MSS 1904.
A highly-interesting portion of the Maddox collection is a number of interviews and reminiscences with residents at the Edwin Forrest Home for retired actors, founded in 1873.
Not only were his collections exotic, but his life was fascinating as well.
Born Aug. 4, 1927, in Gallatin, Tennessee (about 30 miles northeast of Nashville), Johnny Maddox had started to learn the piano from his great-aunt Zula when he was only three years old. Maddox came from a musical family that included his father and others as well. Under Zula’s tutelage he would begin performing at age 5, and began a career as a professional pianist at age 12.
During World War II, Maddox entertained the troops with his music, although after the war, he would join the military on his own. He came into his own when the recording industry was beginning to boom itself. His first single in 1950 was Crazy Bone Rag with St. Louis Tickle on the B-side. This single, distributed on 45 rpm discs sold 22,000 copies in just five weeks. Ragtime was a popular music style in the late 1800s, but had seen a great resurrection in popularity in the postwar era. It was a social music style, and his songs were hits in a burgeoning new medium: the jukebox. In 1951, the MOA (Music Operators of America) declared Maddox’s music was officially found in more jukeboxes than any other artist’s in the U.S.
Maddox was a touring sensation, and in just a few years had traveled to 28 states, Canada and Europe, where he was enthusiastically received. His signature hit would be a cover of a German song, Crazy Otto Rag, which was brought to America by a returning GI rather than released here originally. This became the first all-piano recording to sell over a million copies. Due to the popularity of this recording, he would perform under the name ‘Crazy Otto’ for a number of years.
Maddox’s career would spawn 50 albums, 87 singles, and 9 gold records. In 1960, the Hollywood Walk of Fame was still in its infancy, and Maddox would be one in the first group of entertainers to be selected for a star on the sidewalk, certainly the only ragtime pianist to receive this honor.
After the height of his career, he sought to settle down into arrangements where he could play nightly in the same venue. One of his latest stints was with the Diamond Belle Saloon in Durango, Colorado where he performed regular summers from 1996 to 2012.
As Maddox was himself a revivalist, he was also a great student and collector of vaudeville, theatrical, and musical materials from the turn of the 20th century up to the 1950s. During his travels and tours he amassed some incredible collections of early ragtime sheet music, gramophone recordings, wax cylinders and piano rolls. He had a real interest and nose for the historical performing arts, and snatched up great materials documenting this era. He has willed much of his collection to the Center for Popular Music at Middle Tennessee State University. As previously mentioned, however, some of his earlier collections came to BYU in 1970.
We are proud to have these collections that came through Johnny Maddox to our collections and invite you to come down and explore how the performing arts were perceived, promoted, and practiced over a century ago!
L. Tom Perry Special Collections is pleased to announce the availability of a new digitized collection: Original letters from Eliza to Yorick (MSS SC 4). This is a bound volume of twelve handwritten letters supposedly written by Elizabeth Draper to Yorick (Laurence Sterne) prior to her departure from England for India in 1767. The manuscript is nearly identical to the 1775 publication noted above; however, a few significant differences exist. Phillips placed the following note at the end of the manuscript: “A Fourth full Copy from the Original MSS’s done at Berhampore on the Island of Cossimbazar in Bengall [sic] this 12 day of August 1783.”
Elizabeth Draper, wife of Daniel Draper who was Secretary to the Government at Bombay, India, went to England in 1765 with her family in order that her children could be given an English education. Her husband returned to India that same year, but Elizabeth remained in England with the children. In 1767 she met Laurence Sterne, the noted author of Tristram Shandy, and the two began a very close friendship. Mrs. Draper was forced to leave England on April 3 of that same year due to the demands of her husband that she return to India. During the week before her departure, Draper sent several letters to, and received several letters from Sterne. Draper was able to return to England in 1773 and became known as Sterne’s “Eliza.” A publisher persuaded her in 1775 to publish Sterne’s letters to her, yet was unsuccessful in obtaining access to her responses to Sterne. Later in the year, the twelve letters contained in this manuscript were published with E.S. Draper listed as the author. They are currently considered anonymous parodies of the type of letters Draper would have written.
February 8 marked the 200th anniversary of the cultural critic and social reformer John Ruskin. Ruskin found early fame as an art critic, and his writings influenced the tastes of generations of Victorians. He championed J. M. W. Turner, the pre-Raphaelite painters, and the 19th century revival of Renaissance and pre-Renaissance art, as well as promoting the value of the arts and crafts in a time of rapid industrialization. This engraving from Ruskin’s work on The Stones of Venice (1851-53) showcases his study of pre-Renaissance art and architecture as well as his own artistic abilities.
Orson Scott Card is one of the most successful Latter-day Saint authors of our time. The Harold B. Lee Library’s L. Tom Perry Special Collections houses his literary papers, and collects his published work comprehensively. A new small exhibit from the collections, Orson Scott Card Illustrated, coincides with the 2019 annual Life, the Universe and Everything science fiction convention to be held in Provo later this week.
Best known for science fiction and fantasy, Card has also written extensively in other genres, including drama and poetry. The publication of the short story “Ender’s Game” in 1977 brought Card national recognition, and his prominence, especially in science fiction publishing, has resulted in frequent appearances on the covers of trade publications such as Locus. Since “Ender’s Game,” Card has branched out and now writes in a number of genres, including contemporary fantasy, thrillers, historical fiction, and biblical novels. Card also writes social commentary, including the column “Uncle Orson Reviews Everything,” usually first published in his hometown newspaper Rhinoceros Times (Greensboro, N.C.) and then published at various sites on the Internet. This social commentary has at times made him a controversial figure.
Book cover art is meant both to catch the buyer’s eye, selling the book, and to capture the book inside the covers, to get at the essence of the content. Some of the most talented book cover artists worldwide have designed best-selling author Card’s books, including those in this exhibit. Have they succeeded in catching your eye as well as getting to the essence of the work? Please come see the exhibit and decide.