The last of the six volumes of Handbuch der Systematischen Musikwissenschaft is Helga de la Motte-Haber’s Lexikon der Systematischen Musikwissenschaft (2010). Previous volumes in the Handbuch cover the subtopics of systematic musicology, including music aesthetics, theory, psychology, sociomusicology, and acoustics. While previous volumes are collections of authored essays, this Lexikon consists of concise articles on narrower topics and terms. This newest volume is described as “the first comprehensive reference work on systematic musicology,” bringing together into one dictionary descriptions of terms relating to the various subdisciplines of systematic musicology and providing a useful reference for the new student of systematic musicology. Each entry includes a detailed description of the term followed by brief bibliographic references. Related terms are cross referenced within the text of each entry. Often, entries are organized by their relevance to the topics explored in previous volumes of the series. For example, the entry “Erfahrung/Erleben” is organized by three subheadings: psychological, sociological, and aesthetic (topics explored in volumes 3, 4, and 1 of the series, respectively). So, while the volume’s main function is as dictionary of systematic musicology in general, it can also function as a detailed glossary to previous volumes of the Handbuch.
– Charlotte Heiner